Ege \u00dcniversitesi T\u0131p Fak\u00fcltesi, D\u00fcnya Kad\u0131nlar G\u00fcn\u00fc etkinlikleri kapsam\u0131nda anlaml\u0131 bir bulu\u015fmaya ev sahipli\u011fi yapt\u0131. \u2019T\u00fcrk Seramik Sanat\u0131nda Kad\u0131n \u0130maj\u0131: Estetik ve K\u00fclt\u00fcrel Okumalar\u2019 ba\u015fl\u0131\u011f\u0131yla d\u00fczenlenen s\u00f6yle\u015fi, sanat\u0131n ve tarihin penceresinden kad\u0131n\u0131n toplumdaki izlerini yans\u0131tt\u0131.
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Muhiddin Erel Amfisi\u2019nde ger\u00e7ekle\u015ftirilen ve moderat\u00f6rl\u00fc\u011f\u00fcn\u00fc E\u00dc T\u0131p Fak\u00fcltesi E\u011fitim Koordinat\u00f6r\u00fc Prof. Dr. Tahir Atik\u2019in \u00fcstlendi\u011fi etkinli\u011fe, E\u00dc Edebiyat Fak\u00fcltesi Sanat Tarihi B\u00f6l\u00fcm\u00fc \u00d6\u011fretim \u00dcyesi Prof. Dr. Sevin\u00e7 G\u00f6k \u0130pek\u00e7io\u011flu konu\u015fmac\u0131 olarak kat\u0131ld\u0131.
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S\u00f6yle\u015finin a\u00e7\u0131l\u0131\u015f konu\u015fmas\u0131n\u0131 yapan Prof. Dr. Tahir Atik, sanat\u0131n iyile\u015ftirici ve birle\u015ftirici g\u00fcc\u00fcne vurgu yaparak, “Bug\u00fcn burada t\u0131p ve bilimin koridorlar\u0131ndan biraz olsun s\u0131yr\u0131l\u0131p, sanat\u0131n, esteti\u011fin d\u00fcnyas\u0131na ad\u0131m ataca\u011f\u0131z. Bu yolculu\u011fa, en g\u00fc\u00e7l\u00fc ilham kaynaklar\u0131ndan biri olan kad\u0131n \u00fczerinden \u00e7\u0131k\u0131yoruz. Bug\u00fcn, kad\u0131n\u0131n i\u00e7 i\u00e7e ge\u00e7mi\u015f do\u011fas\u0131n\u0131 \u00e7ok \u00f6zel bir mercekle, \u2018T\u00fcrk Seramik Sanat\u0131nda Kad\u0131n \u0130maj\u0131\u2019 \u00fczerinden okuyaca\u011f\u0131z” dedi.<\/p>\n
“Kad\u0131n alg\u0131s\u0131 toplumlara g\u00f6re farkl\u0131l\u0131k g\u00f6sterdi”
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Prof. Dr. Sevin\u00e7 G\u00f6k \u0130pek\u00e7io\u011flu, 8 Mart D\u00fcnya Kad\u0131nlar G\u00fcn\u00fc kapsam\u0131nda d\u00fczenlenen s\u00f6yle\u015fide, kad\u0131nlar\u0131n tarihi s\u00fcre\u00e7te sanatta nas\u0131l temsil edildi\u011fini ele ald\u0131. Antik \u00e7a\u011flardan ba\u015flayarak farkl\u0131 uygarl\u0131klarda kad\u0131na y\u00f6nelik toplumsal alg\u0131y\u0131 de\u011ferlendiren Prof. Dr. \u0130pek\u00e7io\u011flu, “Erken d\u00f6nemlerden itibaren b\u00fct\u00fcn d\u00f6nemlere bakt\u0131\u011f\u0131m\u0131zda kad\u0131n\u0131n farkl\u0131 bi\u00e7imlerde alg\u0131land\u0131\u011f\u0131n\u0131 g\u00f6r\u00fcyoruz. Kad\u0131n\u0131 bask\u0131 alt\u0131na alan bu anlay\u0131\u015f\u0131n sanat eserlerine de yans\u0131d\u0131\u011f\u0131n\u0131 s\u00f6ylemek m\u00fcmk\u00fcnd\u00fcr. Yunan tarihinde kad\u0131n\u0131n ad\u0131 neredeyse yoktur. Roma d\u00f6neminde kad\u0131n daha \u00e7ok ev i\u00e7ine hapsedilmi\u015f, kamusal alanda g\u00f6r\u00fcn\u00fcr olan kad\u0131nlar ise toplum taraf\u0131ndan farkl\u0131 stat\u00fclerde de\u011ferlendirilmi\u015ftir. Bizans yani Do\u011fu Roma\u2019da da benzer \u015fekilde kad\u0131n, sosyal hayat\u0131n d\u0131\u015f\u0131nda tutulmu\u015ftur” diye konu\u015ftu.<\/p>\n
“Kad\u0131n, sosyal hayat\u0131n d\u0131\u015f\u0131nda tutuluyordu”
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Erken d\u00f6nem sanat eserlerinde kad\u0131n fig\u00fcr\u00fcn\u00fcn s\u0131n\u0131rl\u0131 rollerde yer ald\u0131\u011f\u0131n\u0131 belirten Prof. Dr. \u0130pek\u00e7io\u011flu, kad\u0131nlar\u0131n ekseriyetle m\u00fczisyen veya g\u00f6steri sanat\u00e7\u0131s\u0131 olarak tasvir edildi\u011fini ifade etti. D\u00f6nemin egemen toplumsal anlay\u0131\u015f\u0131 nedeniyle kad\u0131n\u0131n ekseriyetle ev ile \u00f6zde\u015fle\u015ftirildi\u011fini ve sosyal ya\u015famdan uzak tutuldu\u011funu vurgulayan \u0130pek\u00e7io\u011flu, bu durumun sanat eserlerine de yans\u0131d\u0131\u011f\u0131n\u0131 s\u00f6yledi. \u0130pek\u00e7io\u011flu ayr\u0131ca Emevi, Abbasi ve Fat\u0131mi gibi erken d\u00f6nem \u0130slam devletleri sanat\u0131nda da kad\u0131n temsillerinin s\u0131n\u0131rl\u0131 kald\u0131\u011f\u0131n\u0131 dile getirdi.<\/p>\n
“Sel\u00e7uklu D\u00f6neminde kad\u0131n ve erkek e\u015fitli\u011fi”
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T\u00fcrk sanat tarihinde Sel\u00e7uklu d\u00f6neminin \u00f6nemli bir d\u00f6n\u00fcm noktas\u0131 oldu\u011funu belirten Prof. Dr. \u0130pek\u00e7io\u011flu, bu d\u00f6nemde kad\u0131n\u0131n toplumsal stat\u00fcs\u00fcn\u00fcn sanata adil bir bi\u00e7imde yans\u0131d\u0131\u011f\u0131n\u0131 belirtti. Orta Asya geleneklerinin etkisine dikkat \u00e7eken \u0130pek\u00e7io\u011flu, “Sel\u00e7uklular d\u00f6neminde kad\u0131n\u0131n e\u015f olarak, yani erkekle e\u015fit bir konumda yer ald\u0131\u011f\u0131n\u0131 g\u00f6r\u00fcyoruz. Orta Asya k\u00fclt\u00fcr\u00fcn\u00fcn kad\u0131na verdi\u011fi de\u011fer bu d\u00f6nemin sanat\u0131na da yans\u0131m\u0131\u015ft\u0131r. 10. y\u00fczy\u0131ldan 13. y\u00fczy\u0131la kadar s\u00fcren bu d\u00f6nemde kad\u0131n fig\u00fcr\u00fcn\u00fcn seramiklerde de daha g\u00f6r\u00fcn\u00fcr hale geldi\u011fini, hatta sultan kad\u0131n tasvirlerinin yap\u0131ld\u0131\u011f\u0131n\u0131 g\u00f6r\u00fcyoruz. Erkek ve kad\u0131n\u0131n ayn\u0131 kompozisyon i\u00e7inde e\u015fit bi\u00e7imde resmedildi\u011fine tan\u0131k oluyoruz” diye konu\u015ftu.
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Soru-cevap b\u00f6l\u00fcm\u00fcn\u00fcn ard\u0131ndan, moderat\u00f6r Prof. Dr. Tahir Atik, katk\u0131s\u0131ndan dolay\u0131 Prof. Dr. Sevin\u00e7 G\u00f6k \u0130pek\u00e7io\u011flu\u2019na te\u015fekk\u00fcr belgesi takdim etti.
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Etkinli\u011fe T\u0131p Fak\u00fcltesi Dekan Yard\u0131mc\u0131lar\u0131 Prof. Dr. Burcu Barut\u00e7uo\u011flu ve Do\u00e7. Dr. G\u00fcne\u015f Ak\u2019\u0131n yan\u0131 s\u0131ra \u00e7ok say\u0131da akademisyen, \u00f6\u011frenci ve idari personel kat\u0131ld\u0131
<\/p>\n","protected":false},"excerpt":{"rendered":"
Ege \u00dcniversitesi T\u0131p Fak\u00fcltesi, D\u00fcnya Kad\u0131nlar G\u00fcn\u00fc etkinlikleri kapsam\u0131nda anlaml\u0131 bir bulu\u015fmaya ev sahipli\u011fi yapt\u0131. \u2019T\u00fcrk Seramik Sanat\u0131nda Kad\u0131n \u0130maj\u0131: Estetik ve K\u00fclt\u00fcrel Okumalar\u2019 ba\u015fl\u0131\u011f\u0131yla d\u00fczenlenen s\u00f6yle\u015fi, sanat\u0131n ve tarihin penceresinden kad\u0131n\u0131n toplumdaki izlerini yans\u0131tt\u0131. Muhiddin Erel Amfisi\u2019nde ger\u00e7ekle\u015ftirilen ve moderat\u00f6rl\u00fc\u011f\u00fcn\u00fc E\u00dc T\u0131p Fak\u00fcltesi E\u011fitim Koordinat\u00f6r\u00fc Prof. Dr. Tahir Atik\u2019in \u00fcstlendi\u011fi etkinli\u011fe, E\u00dc Edebiyat Fak\u00fcltesi…<\/p>\n","protected":false},"author":1,"featured_media":93721,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_crdt_document":"","footnotes":""},"categories":[1],"tags":[],"class_list":["post-93720","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-guncel"],"_links":{"self":[{"href":"https:\/\/www.egemtv.com\/index.php?rest_route=\/wp\/v2\/posts\/93720","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.egemtv.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.egemtv.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.egemtv.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.egemtv.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=93720"}],"version-history":[{"count":1,"href":"https:\/\/www.egemtv.com\/index.php?rest_route=\/wp\/v2\/posts\/93720\/revisions"}],"predecessor-version":[{"id":93722,"href":"https:\/\/www.egemtv.com\/index.php?rest_route=\/wp\/v2\/posts\/93720\/revisions\/93722"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.egemtv.com\/index.php?rest_route=\/wp\/v2\/media\/93721"}],"wp:attachment":[{"href":"https:\/\/www.egemtv.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=93720"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.egemtv.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=93720"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.egemtv.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=93720"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}