Ayd\u0131n\u2019\u0131n Nazilli il\u00e7esinde amat\u00f6r foto\u011fraf tutkunlar\u0131nca 2006 y\u0131l\u0131nda kurulan Nazilli Foto\u011fraf Sanat\u0131 Derne\u011fi (NAFOD), bu kez cebe giren kameralar olan cep telefonlar\u0131 ile \u00e7ekim y\u00f6ntemleri e\u011fitimi verdi.
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NAFOD ve Ayd\u0131n Foto\u011fraf Sanat\u0131 Derne\u011fi (AYFOD) i\u015fbirli\u011finde Nazilli\u2019deki dernek hizmet binas\u0131nda d\u00fczenlenen etkinli\u011fe \u00e7ok say\u0131da foto\u011fraf tutkunu kat\u0131ld\u0131. NAFOD Y\u00f6netim Kurulu \u00dcyesi, Foto\u011fraf E\u011fitmeni Kamil Okyay, e\u011fitim seminerine kat\u0131lan \u00fcyeler ba\u015fta olmak \u00fczere \u00f6\u011frenci ve di\u011fer foto\u011fraf merakl\u0131lar\u0131na mobil foto\u011fraf\u00e7\u0131l\u0131\u011f\u0131n temellerini anlatt\u0131. Mobil foto\u011fraf\u00e7\u0131l\u0131\u011f\u0131n temelleri, renk uyumu ve kontrast, mobil foto\u011fraf\u00e7\u0131l\u0131kta bak\u0131\u015f ve hareket y\u00f6n\u00fc, mobil foto\u011fraf\u00e7\u0131l\u0131kta \u00e7izgiler – \u00e7er\u00e7eveler, mobil foto\u011fraf\u00e7\u0131l\u0131kta kompozisyon, uygulama \u00f6nerileri, ekipman ve aksesuarlar ile mobil foto\u011fraf uygulamalar\u0131n\u0131 anlatt\u0131. 30 g\u00fcn s\u00fcrecek proje i\u00e7erisinde teorik uygulaman\u0131n ard\u0131ndan saha \u00e7al\u0131\u015fmas\u0131 yap\u0131larak, cep telefonu kameralar\u0131 ile \u00e7ekilen foto\u011fraflar\u0131n de\u011ferlendirmeye al\u0131naca\u011f\u0131 belirtildi. Okyay sunumunda, cep telefonlar\u0131n\u0131n i\u015fleyi\u015f a\u00e7\u0131s\u0131ndan foto\u011fraf makinelerine pek \u00e7ok konuda benzese de dikkat edilmesi gereken farkl\u0131l\u0131klar oldu\u011funun \u00f6nemle alt\u0131n\u0131 \u00e7izerek, “Tarihteki ilk mobil foto\u011fraf 1997 y\u0131l\u0131nda Philippe Kahn taraf\u0131ndan \u00e7ekilmi\u015ftir. Mobil foto\u011fraf\u00e7\u0131l\u0131\u011f\u0131 geli\u015fmesi ve yay\u0131lmas\u0131 ancak 2002 y\u0131llar\u0131nda cep telefonlar\u0131n\u0131n yayg\u0131nla\u015fmas\u0131 ile m\u00fcmk\u00fcn olmu\u015ftur. Mobil foto\u011fraf\u00e7\u0131l\u0131kta fark olu\u015fturan en \u00f6nemli unsurlardan biri, kameran\u0131n kalbi say\u0131lan g\u00f6r\u00fcnt\u00fc sens\u00f6r\u00fc ve onun sihirli rakamlar\u0131 olan boyutu ve \u00e7\u00f6z\u00fcn\u00fcrl\u00fc\u011f\u00fcd\u00fcr. I\u015f\u0131\u011f\u0131 alg\u0131layan ve onu dijital verilere d\u00f6n\u00fc\u015ft\u00fcren bu minik par\u00e7a, foto\u011fraf\u0131n kalitesini do\u011frudan etkiler. Sens\u00f6r boyutu ne kadar b\u00fcy\u00fckse, o kadar fazla \u0131\u015f\u0131k toplayabilir. Profesyonel foto\u011fraf makinelerinde bulunan tam kare (Full Frame) sens\u00f6rler, 36×24 mm gibi b\u00fcy\u00fck boyutlara sahiptir. Oysa mobil telefonlardaki sens\u00f6rler \u00e7ok daha k\u00fc\u00e7\u00fckt\u00fcr” dedi.<\/p>\n
“Mobil foto\u011fraf\u00e7\u0131l\u0131\u011f\u0131n \u00f6nemi art\u0131yor”
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Okyay, konu\u015fmas\u0131n\u0131n devam\u0131nda cep telefonu kameralar\u0131n\u0131n boyutlar\u0131n\u0131n dikkate al\u0131nd\u0131\u011f\u0131nda olduk\u00e7a h\u0131zl\u0131 ve pratik oldu\u011funu da ifade ederek, “Mobil foto\u011fraf\u00e7\u0131l\u0131kta, ak\u0131ll\u0131 asistanlar, otomatik modlar ve sihirli dokunu\u015flar \u00e7ok daha h\u0131zl\u0131 \u015fekilde uygulanabilmektedir. Pratik \u00e7ekim modlar\u0131 sayesinde hemen hemen her ortamda g\u00f6r\u00fcnt\u00fcn\u00fcn yakalanabilmesi m\u00fcmk\u00fcnd\u00fcr. Ancak her ne \u015fekilde olursa olsun ayarlar\u0131n kullan\u0131m\u0131, kadraj, \u0131\u015f\u0131k, renk, kontrast, bak\u0131\u015f, hareket, arka plan, \u00e7er\u00e7eveleme, senaryo, kompozisyon, derinlik olu\u015fturma, denge, pozlama, \u00fc\u00e7te bir kural\u0131, portre \u00e7ekimi, ekipmanlar ve son olarak foto\u011fraf\u0131n i\u015flenmesi gibi foto\u011fraf\u0131 etkileyen unsurlar\u0131 iyi bilmek gerekir. \u00c7\u00fcnk\u00fc her ge\u00e7en g\u00fcn mobil foto\u011fraf\u00e7\u0131l\u0131\u011f\u0131n \u00f6nemi giderek art\u0131yor” \u015feklinde konu\u015ftu.<\/p>\n
“Bilime, sanata ve e\u011fitime katk\u0131 sa\u011flan\u0131yor”
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Nazilli Foto\u011fraf Sanat\u0131 Derne\u011fi Y\u00f6netim Kurulu Ba\u015fkan\u0131 Refik Karacao\u011flu, derneklerinin kuruldu\u011fu g\u00fcnden bu yana bilime, sanata ve e\u011fitime katk\u0131 sa\u011flamak amac\u0131yla projeler \u00fcretti\u011fini ve proje i\u015fbirlikleri ile foto\u011fraf sanat\u0131n\u0131 sevdirmeye \u00e7al\u0131\u015ft\u0131klar\u0131n\u0131 ifade etti. 2026 y\u0131l\u0131nda yeni projelerle sosyal ve k\u00fclt\u00fcrel faaliyetlerini sanatla bulu\u015fturmak i\u00e7in i\u015fbirli\u011fi protokolleri yaparak foto\u011fraf sanat\u0131n\u0131 sevdirmeyi ama\u00e7lad\u0131klar\u0131n\u0131 da ifade eden Ba\u015fkan Karacao\u011flu, \u00fcyelerine ve kat\u0131l\u0131mc\u0131lara te\u015fekk\u00fcr ederek derne\u011fin her zamankinden daha fazla ve etkin \u015fekilde sanatsal faaliyetlerini y\u00fcr\u00fctmeye devam edece\u011fini belirtti. Etkinli\u011fe kat\u0131lan Ayd\u0131n Foto\u011fraf Sanat\u0131 Derne\u011fi (AYFOD) \u00dcyesi Dil\u015fat Erdo\u011fmu\u015f ve ortaokul \u00f6\u011frencisi Lale Kaymak, yapt\u0131klar\u0131 konu\u015fmada cep telefonu kameralar\u0131n\u0131 etkin \u015fekilde kullanmay\u0131 \u00f6\u011frenmenin gereklili\u011fini ifade ettiler.
<\/p>\n","protected":false},"excerpt":{"rendered":"
Ayd\u0131n\u2019\u0131n Nazilli il\u00e7esinde amat\u00f6r foto\u011fraf tutkunlar\u0131nca 2006 y\u0131l\u0131nda kurulan Nazilli Foto\u011fraf Sanat\u0131 Derne\u011fi (NAFOD), bu kez cebe giren kameralar olan cep telefonlar\u0131 ile \u00e7ekim y\u00f6ntemleri e\u011fitimi verdi. NAFOD ve Ayd\u0131n Foto\u011fraf Sanat\u0131 Derne\u011fi (AYFOD) i\u015fbirli\u011finde Nazilli\u2019deki dernek hizmet binas\u0131nda d\u00fczenlenen etkinli\u011fe \u00e7ok say\u0131da foto\u011fraf tutkunu kat\u0131ld\u0131. NAFOD Y\u00f6netim Kurulu \u00dcyesi, Foto\u011fraf E\u011fitmeni Kamil Okyay, e\u011fitim…<\/p>\n","protected":false},"author":1,"featured_media":86031,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_crdt_document":"","footnotes":""},"categories":[124],"tags":[],"class_list":["post-86030","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bilim"],"_links":{"self":[{"href":"https:\/\/www.egemtv.com\/index.php?rest_route=\/wp\/v2\/posts\/86030","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.egemtv.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.egemtv.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.egemtv.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.egemtv.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=86030"}],"version-history":[{"count":1,"href":"https:\/\/www.egemtv.com\/index.php?rest_route=\/wp\/v2\/posts\/86030\/revisions"}],"predecessor-version":[{"id":86032,"href":"https:\/\/www.egemtv.com\/index.php?rest_route=\/wp\/v2\/posts\/86030\/revisions\/86032"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.egemtv.com\/index.php?rest_route=\/wp\/v2\/media\/86031"}],"wp:attachment":[{"href":"https:\/\/www.egemtv.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=86030"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.egemtv.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=86030"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.egemtv.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=86030"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}