{"id":3135,"date":"2025-01-05T10:40:05","date_gmt":"2025-01-05T07:40:05","guid":{"rendered":"https:\/\/www.egemtv.com\/?p=3135"},"modified":"2025-01-05T10:40:08","modified_gmt":"2025-01-05T07:40:08","slug":"gurbetciler-dizilerde-de-oteki","status":"publish","type":"post","link":"https:\/\/www.egemtv.com\/?p=3135","title":{"rendered":"Gurbet\u00e7iler dizilerde de “\u00d6teki”"},"content":{"rendered":"

Ya\u015far \u00dcniversitesi doktora \u00f6\u011frencisi Cenk \u00c7akar, Almanya\u2019daki T\u00fcrk g\u00f6\u00e7menlere yer veren son 30 y\u0131lda \u00e7ekilen 15 dizi i\u00e7inden 35 karakteri inceledi. \u0130leti\u015fim Fak\u00fcltesi Dr. \u00d6\u011fr. \u00dcyesi \u00dcr\u00fcn Y\u0131ld\u0131ran \u00d6nk\u2019\u00fcn tez dan\u0131\u015fmanl\u0131\u011f\u0131n\u0131 yapt\u0131\u011f\u0131 ara\u015ft\u0131rmada, gurbet\u00e7ilerin dizilerde \u2019Alamanc\u0131\u2019 ve \u2019gavur\u2019 gibi ifadelerle \u00f6tekile\u015ftirildi\u011fi vurguland\u0131.
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Almanya\u2019daki T\u00fcrk g\u00f6\u00e7menlere yer veren son 30 y\u0131lda \u00e7ekilen 15 dizi i\u00e7inden 35 karakteri inceleyen Ya\u015far \u00dcniversitesi doktora \u00f6\u011frencisi Cenk \u00c7akar, dizi sekt\u00f6r\u00fcn\u00fcn geli\u015fmesine ra\u011fmen gurbet\u00e7ilerin bu dizilerde dikkate de\u011fer oranda temsil edilmedi\u011fini, \u2019Alamanc\u0131\u2019 gibi ifadelerle an\u0131lan gurbet\u00e7ilerin dizilerde de \u00f6tekile\u015ftirildi\u011fini vurgulad\u0131.
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\u00c7akar, gurbet\u00e7ilerin dizilerde genellikle y\u00fczeysel veya karikat\u00fcrize edilerek tasvir edildi\u011fini belirterek, “30 y\u0131ll\u0131k bir s\u00fcrece yay\u0131lan ana ak\u0131m geleneksel televizyon kanallar\u0131ndaki dizilere yo\u011funla\u015ft\u0131k. Kanallar\u0131n da\u011f\u0131l\u0131m\u0131na dikkat ettik. Toplamda 35 karakteri inceledik. 30 y\u0131l boyunca \u00e7ekilen yerli dizi say\u0131s\u0131n\u0131 dikkate al\u0131rsak 35 karakter olduk\u00e7a az. Bunlar\u0131n da sadece 4-5 tanesinde ana odak noktas\u0131 gurbet\u00e7i aileler. Bir\u00e7o\u011funda sadece bir karakter olarak g\u00f6r\u00fcl\u00fcyor. Dizilerde gurbet\u00e7i karakterlerde; basmakal\u0131p, marjinalle\u015ftirme ve karikat\u00fcrle\u015ftirme y\u00f6ntemleri kullan\u0131lm\u0131\u015f. Ayr\u0131ca Almanya\u2019daki T\u00fcrklerin sosyok\u00fclt\u00fcrel hayatlar\u0131na dair g\u00f6sterilmek istenmeyen konular ise \u00e7e\u015fitli film stratejileriyle g\u00f6zden uzak tutulmu\u015f” dedi.<\/p>\n

Dizilerdeki temsilleri
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Almanya\u2019daki T\u00fcrklerin 60-70 y\u0131l boyunca her zaman iki k\u00fclt\u00fcr aras\u0131nda kalm\u0131\u015f iki tarafa da ait olmayan bireyler olarak biraz da yad\u0131rganarak temsil edilmi\u015f oldu\u011funu anlatan \u00c7akar, “T\u00fcrk\u00e7eyi de g\u00fczel konu\u015fam\u0131yor, Almancay\u0131 da. Hi\u00e7bir yere ait de\u011fil gibi alg\u0131lan\u0131yordu. Diziler, ilk jenerasyonu g\u00f6rg\u00fcs\u00fcz olarak resmediyordu. Sonraki jenerasyonu da karikat\u00fcrle\u015ftiriyor ve komedi unsurlar\u0131 kat\u0131yor” diye konu\u015ftu.
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S\u00f6zlerini s\u00fcrd\u00fcren \u00c7akar \u00c7akar, \u015funlar\u0131 kaydetti:
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“Oysa g\u00f6\u00e7menlik sadece T\u00fcrklere \u00f6zel bir durum de\u011fil, d\u00fcnyan\u0131n pek \u00e7ok \u00fclkesinde g\u00f6\u00e7men gruplar var. Ancak Almanya\u2019daki T\u00fcrkler ciddi anlamda geni\u015f bir topluluk. Uzun s\u00fcredir bir entegrasyon ya da tezde ifade etti\u011fim gibi bir k\u00fclt\u00fcrle\u015fme s\u00fcreci i\u00e7indeler. Almanya\u2019daki T\u00fcrklerin k\u00fclt\u00fcrel olarak melezle\u015ftikleri, Almanya\u2019da kar\u015f\u0131la\u015ft\u0131klar\u0131 k\u00fclt\u00fcr ve T\u00fcrkiye\u2019den g\u00f6t\u00fcrd\u00fckleri orijinal k\u00fclt\u00fcr\u00fc sentezleyip yeni \u00fc\u00e7\u00fcnc\u00fc bir k\u00fclt\u00fcr olu\u015fturduklar\u0131 varsay\u0131m\u0131na dayanan bu tez \u00e7al\u0131\u015fmas\u0131 onlar\u0131n T\u00fcrkiye\u2019deki televizyon dizilerindeki temsillerini sosyok\u00fclt\u00fcrel \u00f6zelliklerine odaklan\u0131yor. Bu \u00e7al\u0131\u015fma, T\u00fcrk televizyon dizilerinin gurbet\u00e7ileri nas\u0131l temsil ettiklerini, yani \u00f6tekile\u015ftirip d\u0131\u015flayan m\u0131 yoksa kapsay\u0131p kucaklayan bir bi\u00e7imde mi temsil ettiklerini ara\u015ft\u0131rmaktad\u0131r.”<\/p>\n

“Bast\u0131r\u0131lm\u0131\u015f kad\u0131n karakteri”
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Ya\u015far \u00dcniversitesi \u0130leti\u015fim Fak\u00fcltesi Dr. \u00d6\u011fr. \u00dcyesi \u00dcr\u00fcn Y\u0131ld\u0131ran \u00d6nk\u2019\u00fcn tez dan\u0131\u015fmanl\u0131\u011f\u0131n\u0131 yapt\u0131\u011f\u0131 ara\u015ft\u0131rmada, TV dizilerindeki kad\u0131n karakterlerin temsillerini de ele ald\u0131klar\u0131n\u0131 anlatan \u00c7akar, \u015funlar\u0131 s\u00f6yledi:
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“Kad\u0131n temsillerine bakt\u0131\u011f\u0131m\u0131zda kad\u0131nlar\u0131n \u00e7o\u011funlukla istedikleri hayat\u0131 ya\u015fayamad\u0131klar\u0131n\u0131 g\u00f6rd\u00fck. Kad\u0131n\u0131n cinselli\u011fi toplum kayg\u0131s\u0131 olarak g\u00f6r\u00fcld\u00fc\u011f\u00fc i\u00e7in ergenlik \u00e7a\u011f\u0131na gelen k\u0131zlar\u0131n T\u00fcrkiye\u2019ye g\u00f6nderilmesi ya da oradaki Almanlarla fl\u00f6rt etmelerinin istenmemesi bir di\u011fer ifade ile nerede ya\u015fayacaklar\u0131, kimle evlenecekleri gibi hayatlar\u0131n\u0131n aileleri taraf\u0131ndan kurguland\u0131\u011f\u0131n\u0131 g\u00f6r\u00fcyoruz. Bast\u0131r\u0131lm\u0131\u015f bir T\u00fcrk kad\u0131n\u0131 portresi var. Menek\u015fe ile Halil dizisinden \u00f6rnekleyecek olursak, k\u0131z Berlin\u2019de gezemiyor, i\u015f yerine ailesi g\u00f6t\u00fcr\u00fcyor, T\u00fcrkiye\u2019den birisine ba\u015fl\u0131k paras\u0131 kar\u015f\u0131l\u0131\u011f\u0131nda evlendirilmeye zorlan\u0131yor, Menek\u015fe istemeyince de t\u00f6re cinayeti ile kar\u015f\u0131 kar\u015f\u0131ya kal\u0131yor. Asl\u0131nda jenerasyonlar aras\u0131nda da farkl\u0131l\u0131klar var. Anne karakterleri bu bask\u0131y\u0131 kabul eden, diren\u00e7 g\u00f6stermeyen kad\u0131nlar. Hen\u00fcz k\u00fclt\u00fcrle\u015fmemi\u015f kendi k\u00fclt\u00fcr\u00fcn\u00fc k\u00fc\u00e7\u00fck Almanya\u2019s\u0131nda s\u00fcrd\u00fcren kad\u0131nlar. Bir sonraki jenerasyonda kabu\u011funu k\u0131rmaya \u00e7al\u0131\u015fan kad\u0131nlar var. Bir de marjinal diye konumland\u0131rd\u0131\u011f\u0131m\u0131z kad\u0131nlar var. T\u00fcrkiye\u2019ye d\u00f6nen ve Almanc\u0131 olarak nitelenen kad\u0131nlar. \u00d6zellikle daha gen\u00e7 ya\u015fta olan, \u00f6zg\u00fcrl\u00fck\u00e7\u00fc T\u00fcrk toplumuna da uyum sa\u011flayamayan bir tarzlar\u0131 var.”
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T\u00fcrkiye\u2019nin \u00e7ok fazla beyin g\u00f6\u00e7\u00fc verdi\u011fi bir d\u00f6nemde olundu\u011funu vurgulayan \u00c7akar, “60-70 sene \u00f6nce oraya giderek yerle\u015fmi\u015f vatanda\u015flar\u0131m\u0131zla bu durum ba\u015fl\u0131 ba\u015f\u0131na bir paradoks olu\u015fturuyor. Bu insanlar\u0131n memleket hasreti var. \u00c7\u00fcnk\u00fc uzun y\u0131llar \u0131rk\u00e7\u0131l\u0131kla m\u00fccadele ettiler. Ayr\u0131ca y\u0131llarca i\u015f\u00e7i s\u0131n\u0131f\u0131 olarak b\u00fcy\u00fck zorluklar ya\u015fad\u0131klar\u0131 da olduk\u00e7a net bir ger\u00e7eklik. \u0130\u015fte bu nedenle bu konuyu incelenmeye de\u011fer buldum” ifadelerine yer verdi.
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\"\"<\/p>\n","protected":false},"excerpt":{"rendered":"

Ya\u015far \u00dcniversitesi doktora \u00f6\u011frencisi Cenk \u00c7akar, Almanya\u2019daki T\u00fcrk g\u00f6\u00e7menlere yer veren son 30 y\u0131lda \u00e7ekilen 15 dizi i\u00e7inden 35 karakteri inceledi. \u0130leti\u015fim Fak\u00fcltesi Dr. \u00d6\u011fr. \u00dcyesi \u00dcr\u00fcn Y\u0131ld\u0131ran \u00d6nk\u2019\u00fcn tez dan\u0131\u015fmanl\u0131\u011f\u0131n\u0131 yapt\u0131\u011f\u0131 ara\u015ft\u0131rmada, gurbet\u00e7ilerin dizilerde \u2019Alamanc\u0131\u2019 ve \u2019gavur\u2019 gibi ifadelerle \u00f6tekile\u015ftirildi\u011fi vurguland\u0131. Almanya\u2019daki T\u00fcrk g\u00f6\u00e7menlere yer veren son 30 y\u0131lda \u00e7ekilen 15 dizi i\u00e7inden 35…<\/p>\n","protected":false},"author":1,"featured_media":3136,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_crdt_document":"","footnotes":""},"categories":[1],"tags":[],"class_list":["post-3135","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-guncel"],"_links":{"self":[{"href":"https:\/\/www.egemtv.com\/index.php?rest_route=\/wp\/v2\/posts\/3135","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.egemtv.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.egemtv.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.egemtv.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.egemtv.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3135"}],"version-history":[{"count":1,"href":"https:\/\/www.egemtv.com\/index.php?rest_route=\/wp\/v2\/posts\/3135\/revisions"}],"predecessor-version":[{"id":3138,"href":"https:\/\/www.egemtv.com\/index.php?rest_route=\/wp\/v2\/posts\/3135\/revisions\/3138"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.egemtv.com\/index.php?rest_route=\/wp\/v2\/media\/3136"}],"wp:attachment":[{"href":"https:\/\/www.egemtv.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3135"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.egemtv.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3135"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.egemtv.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3135"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}