Geli\u015fen teknoloji ve seri \u00fcretimin g\u00f6lgesinde kalan geleneksel el sanatlar\u0131ndan kelkari ve sedef kakma, \u0130zmir\u2019de \u00f6mr\u00fcn\u00fc bu i\u015fe adam\u0131\u015f Mehmet A\u011f\u00e7a\u2019n\u0131n ellerinde ya\u015fat\u0131lmaya \u00e7al\u0131\u015f\u0131l\u0131yor. \u0130lmek ilmek sab\u0131r, g\u00f6z nuru ve derin bir teslimiyetle \u015fekillenen zanaatlar, zamana meydan okuyan duru\u015fuyla ge\u00e7mi\u015fi gelece\u011fe ba\u011fl\u0131yor.
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Ihlamur, ceviz veya g\u00fcrgen a\u011fac\u0131n\u0131n usta ellerde dile geldi\u011fi kelkari sanat\u0131, sadece bir zanaat de\u011fil ayn\u0131 zamanda ah\u015faba f\u0131s\u0131ldanan bir \u00f6m\u00fcr hikayesi olarak dikkat \u00e7ekiyor. \u0130zmir\u2019in Menderes il\u00e7esinde ya\u015fayan ve g\u00fcn\u00fcm\u00fczde bu sanat\u0131 ya\u015fatan az say\u0131daki isimden biri olan 55 ya\u015f\u0131ndaki Mehmet A\u011f\u00e7a da \u00e7\u0131rakl\u0131ktan bu yana y\u0131llar\u0131n\u0131 tezgah ba\u015f\u0131nda ge\u00e7iriyor. Kelkari sanat\u0131n\u0131n \u00f6fkeyi kabul etmedi\u011fini ve tam bir sab\u0131r i\u015fi oldu\u011funu vurgulayan A\u011f\u00e7a, “Yanl\u0131\u015f bir \u00e7eki\u00e7 darbesi, g\u00fcnlerce s\u00fcren eme\u011fi bir anda yok edebilir. Biz bu tezgahlarda sadece ah\u015fab\u0131 de\u011fil, kendi nefsimizi de yontuyoruz” diye konu\u015ftu.
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Bir di\u011fer k\u00f6kl\u00fc miras olan sedef kakma i\u015flemecili\u011fi ise deniz kabuklar\u0131n\u0131n p\u0131r\u0131lt\u0131s\u0131n\u0131, ceviz a\u011fac\u0131n\u0131n koyu asaletiyle bulu\u015fturuyor. \u0130nce g\u00fcm\u00fc\u015f tellerin ah\u015faba \u00e7ak\u0131lmas\u0131 ve ard\u0131ndan \u00f6zenle a\u00e7\u0131lan yuvalara sedeflerin yerle\u015ftirilmesiyle icra edilen bu sanat, bir g\u00f6z nuru projesi olarak biliniyor. Sedefin par\u0131lt\u0131s\u0131 alt\u0131nda saklanan zorluklara de\u011finen usta Mehmet A\u011f\u00e7a, malzemenin do\u011fas\u0131 gere\u011fi sert ve k\u0131r\u0131lgan oldu\u011funu ifade etti. Do\u011fru \u0131\u015f\u0131kla bulu\u015ftu\u011funda ortaya \u00e7\u0131kan g\u00f6kku\u015fa\u011f\u0131 renklerinin \u00e7ekilen t\u00fcm zahmete de\u011fdi\u011fini dile getiren A\u011f\u00e7a, bu mesle\u011fin sadece el becerisi istemedi\u011fini, g\u00fc\u00e7l\u00fc bir g\u00f6z, sars\u0131lmaz bir bilek ve en \u00f6nemlisi b\u00fcy\u00fck bir a\u015fk gerektirdi\u011finin alt\u0131n\u0131 \u00e7izdi.
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Geleceksizlik kayg\u0131s\u0131n\u0131n mesle\u011fin en can yak\u0131c\u0131 noktas\u0131 oldu\u011funu belirten emektar usta, \u00e7\u0131rak bulamad\u0131klar\u0131n\u0131 ve k\u00fclt\u00fcr\u00fcn \u00f6ks\u00fcz kald\u0131\u011f\u0131n\u0131 vurgulad\u0131. Sanat\u0131n ayakta kalabilmesi i\u00e7in devlet deste\u011finin ve yerel y\u00f6netimlerin a\u00e7aca\u011f\u0131 kurslar\u0131n b\u00fcy\u00fck \u00f6nem ta\u015f\u0131d\u0131\u011f\u0131na dikkat \u00e7eken A\u011f\u00e7a, bu \u00fcr\u00fcnlerin hak etti\u011fi de\u011feri g\u00f6rmesi gerekti\u011fine i\u015faret etti. Bu topraklar\u0131n kimli\u011fi, ruhu ve haf\u0131zas\u0131 konumunda olan geleneksel sanatlar i\u00e7in acilen \u00f6nlem al\u0131nmas\u0131 gerekti\u011fini belirten uzmanlar, d\u00fckkanlar\u0131n kap\u0131s\u0131na vurulacak her kilidin, tarihten bir yapra\u011f\u0131n daha kopup gitmesi anlam\u0131na gelece\u011fi uyar\u0131s\u0131nda bulundu.
<\/p>\n","protected":false},"excerpt":{"rendered":"
Geli\u015fen teknoloji ve seri \u00fcretimin g\u00f6lgesinde kalan geleneksel el sanatlar\u0131ndan kelkari ve sedef kakma, \u0130zmir\u2019de \u00f6mr\u00fcn\u00fc bu i\u015fe adam\u0131\u015f Mehmet A\u011f\u00e7a\u2019n\u0131n ellerinde ya\u015fat\u0131lmaya \u00e7al\u0131\u015f\u0131l\u0131yor. \u0130lmek ilmek sab\u0131r, g\u00f6z nuru ve derin bir teslimiyetle \u015fekillenen zanaatlar, zamana meydan okuyan duru\u015fuyla ge\u00e7mi\u015fi gelece\u011fe ba\u011fl\u0131yor. Ihlamur, ceviz veya g\u00fcrgen a\u011fac\u0131n\u0131n usta ellerde dile geldi\u011fi kelkari sanat\u0131, sadece bir…<\/p>\n","protected":false},"author":1,"featured_media":106249,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_crdt_document":"","footnotes":""},"categories":[1],"tags":[],"class_list":["post-106248","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-guncel"],"_links":{"self":[{"href":"https:\/\/www.egemtv.com\/index.php?rest_route=\/wp\/v2\/posts\/106248","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.egemtv.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.egemtv.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.egemtv.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.egemtv.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=106248"}],"version-history":[{"count":1,"href":"https:\/\/www.egemtv.com\/index.php?rest_route=\/wp\/v2\/posts\/106248\/revisions"}],"predecessor-version":[{"id":106250,"href":"https:\/\/www.egemtv.com\/index.php?rest_route=\/wp\/v2\/posts\/106248\/revisions\/106250"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.egemtv.com\/index.php?rest_route=\/wp\/v2\/media\/106249"}],"wp:attachment":[{"href":"https:\/\/www.egemtv.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=106248"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.egemtv.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=106248"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.egemtv.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=106248"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}